The excitement is electric.
The sound-check’s done and… we’re about to take centre stage.
In 2015, we completed construction and opened the Award-winning Bella Concert Hall and the Taylor Centre for the Performing Arts. While it still has that ‘new theatre smell’ we’d like to amplify its acoustics by showcasing the finest local, national and international talent to play it.
We would like to announce the debut of SEVEN CONCERT SERIES taking place at the versatile venues in the Mount Royal University Conservatory’s Taylor Centre for the Performing Arts in 2016-17. These concert events will showcase some of the most innovative contemporary artists to bring music to your ears. We want our MRU Insiders to be the first to know what’s up.
Join us on May 13th, 2016 as we announce the line-up.
This will take place at the James Ehnes concert, our final Wyatt Series event for this season.
Our follow us online for up-to-the-moment social media releases. (Follow @MRUConservatory or mtroyal.ca/enjoy)
The Bella Concert Hall was built on sound.
The Soundscape Series showcases the amplification of these artistic vibrations in their acoustic glory.
* 5 concerts from local, national and international influential artists and ensembles.
Importing world-class musicians from around the globe. Let’s give them a true Calgarian white-hatted welcome.
* 5 concerts will take audiences on musical adventures in many musical genres.
Northern Lights Series
2016 is the Year of Music in Calgary. 2017 is Canada’s 150th Birthday.
What better way to celebrate our home and native land than to feature some of its finest artists.
*5 concerts will define our country’s energy, diversity and talent.
Our celebrated Wyatt Series continues to feature contemporary masters of classical works in performance and mentorship of our music students. This series honours the late Hal and Marnie Wyatt, longtime supporters of the Mount Royal University Conservatory.
* 3 concerts from modern masters.
Family Portrait Series
Music, Speech Arts and Theatre are for all-ages. To ensure that the younger family members, and those who are young at heart, get to experience amazing music and storytelling, we have the Family Portrait Series.
* 2 narrative shows that will inspire imaginations, whether it’s your first or ‘bazillionth’ time at a performance.
The Spotlight Series showcases our diverse and talented instructors in performance. We’re so proud of our instructors, we want to bring their talents to centre stage. This monthly feature is as varied and exciting as the programs we offer.
Historically, the Salon was a favourite meeting place for musicians of all styles to play, listen and collaborate. We’re bringing it back. Throughout the season, we’ll be offering these opportunities for folks to mix, mingle and enjoy a variety of musical entertainment.
Of course, we’ll still be presenting concert events featuring all of our incredible performance ensembles and programs, including festive favourites Winter Fantasia and Sounds of the Season.
Connect with us on social media for your chance to win tickets to each of the series, or the grand prize, seasons tickets to ALL concert events in our 2016-17 Season!
Like, follow and spread the message to your friends and family. It’s going to be an inspiring season of sound at the Mount Royal University Conservatory!
– by JLove
This past week, the Bella Concert Hall was examined by some lifelong masters of assessment… retired teachers.
Forty-five former teachers met with MRU Conservatory Director Elaine Danelesko for a private tour of the Taylor Centre for the Performing Arts, with a special focus on the Bella herself. By all accounts, she passed with flying colours.
The Calgary Board of Education Retired Employees Association (CBEREA) provides members with various experiences and activities. Regular bowling and golf tournaments, bridge groups and luncheons are among the featured offerings. There is also a walkers and hikers division of the group who chose to end their trek in the lobby of the Bella.
Elaine Danelesko, who radiates with pride as she introduces all guests to the MRU Conservatory facilities, effortlessly spoke about the programs offered, the private studios’ acoustic treatment and the merits of the state-of-the-art practice rooms capable of accommodating worldwide private lessons through Skype to a responsive audience.
The reactions to the facilities, the programming and the design all made the grade.
Having just opened in the fall, it was a new experience for most, “Today I realized that there is a wonderful opportunity not far from home that has not been on my radar.”says Sharon Terray, retired Social Studies teacher who last taught at Lord Beaverbrook High School. Terray, who helped arrange the tour for the group, continues, “Because of what I saw today, I hope to be aware of programming and upcoming events, and thanks to free Sunday parking, take advantage of what the Conservatory has to offer the public.”
Seeing how it might directly affect the group’s demographic, Terray’s friend and co-walker Barbara Hongisto chimes in, “The facilities provide super opportunities for parents and grandparents to offer musical programs to young ones!”
Terray assess the Bella. “All the attention to detail both from an aesthetic and an acoustic point of view means that there is always more to take in; you have to sit there for a while to really appreciate it all.”
Sharon’s husband Dr. John Terray, who is the retired chairman of Mathematics, Physics, and Engineering, MRU, has an eye for quality, “I was very impressed with the architecture and design of the building. “ Of the Bella herself, he claims, “The concert hall conveyed a sense of quality with warmth.”
The offering that seemed to achieve bonus marks from this gathering is the outreach that MRU Conservatory is building within the education community in our Calgary school boards.
In discussion at the back of the class while the group hiked through the Music with Your Baby area and the Atelier Room, Dr. Terray sums up, “The tour informed me of the many opportunities the MRU Conservatory provides to the citizens of Calgary.”
Congrats to the Taylor Centre for the Performing Arts on an inspiring spring report card.
- by JLove
The New York Times reported that, “superb violinist Christian Tetzlaff pulled out of an important concert at Carnegie Hall.” It was for an arguably more important occasion as he flew home to Germany to welcome a new addition to his family. The remaining trio of Leif Ove Andsnes (piano), Tabea Zimmermann (viola) and Clemens Hagen (cello) were left without a premiere violinist to play Brahms’ three piano quartets on the famed stage.
Enter Canadian violinist James Ehnes.
Ehnes, who will be appearing at the Bella Concert Hall as a part of the Wyatt Concert Series on May 13th, 2016 describes his last minute substitution as “quick, crazy and fun.” The Times reviewer Anthony Tommasini thoroughly praised the fill-in’s contribution, “Mr. Ehnes’s velvety sound and sensitivity fit well with the vibrant playing of his colleagues on this night.” There’s no doubt his notable contribution was appreciated by his esteemed collaborators and the audience alike.
Now back home with his family in Florida, Ehnes takes a breath to reflect on the quartet’s shows which included performances at Chapel Hill, North Carolina and at Orchestra Hall in Chicago. He also has a moment to acknowledge his recent Juno win for Classical Album of the Year which was announced here in Calgary. “We work so hard on these albums, it’s nice to be recognized.” A humble comment for an artist who has now won eleven of the coveted prizes.
“The genesis for each (album) is different,” he explains. “Andrew Armstrong and I have pieces we’ve played a lot over the years. When you work with a collaborator, at some point, you get to where you feel like everything is clicking. If you have the opportunity to record at that point… that’s when you want to. We were having our moment,” he continues, siting his accompanist Andrew Armstrong who he has collaborated with since 2001 and will be joining him onstage at the Bella, “There was no P.R. plan. It was just the two of us saying we like these pieces… let’s record them.”
Calgarians will rejoice to see the pair tackle works by Brahms, Handel, Beethoven and Canadian composer Bramwell Tovey, but that’s not the only partnership they’ll witness. Ehnes’ oldest collaborator is The Marsick, the Stradivarius violin crafted in 1715 and named after a Belgian violinist of the late 1800s. “It’s been like a family member,” Ehnes says. He first saw and heard the instrument in 1996 at age 20. He imagines the life of the instrument in context, “It’s incredible to think that you’re only a custodian for a short period,” his respect for the Stradivarius is unwavering, “I’d love to think when it leaves my hands it’s no worse off than when it came in my hands.”
His whole family will be joining him for this leg of his 40th birthday tour. For his children, whom are Canadian but live in the U.S., this drive from Vancouver to Winnipeg with concert stops along the way is a great way for them to experience their homeland. “I wanted them to see all these places across Canada that have been good to me.” Ehnes reflects with both patriotic and paternal pride. “I want them to see the scale.”
Their family tour will be documented by filmmaker and close friend Nate Bauer who will be shooting footage from the road and backstage. As to what the collected documentary clips are used for, time will tell. Until then, it’s a marvellous family video.
Expect to see the cameras rolling as Ehnes and Armstrong take the stage at the Bella on May 13th, 2016. It will be their debut at this venue and Ehnes is excited. “I’ve been hearing wonderful things about it,” he admits, “lots of people have said it’s a great sounding hall.”
As he prepares to return to Calgary to team up with Armstrong and The Marsick at the Bella, there’s no doubt he’s glad he got to play Carnegie Hall to warm up for it.
In fact, I know one. Ralph Maier… and if I knew many more, he’d likely still be my favourite vihuela player. The instrument, he explains to me, “is the Spanish equivalent of a lute…except it’s shaped like a guitar.” A gifted guitarist, he touts, “Over the last ten years, I’ve gotten into doing things on period instruments.”
Maier is not only an expert to those who have the privilege of hearing him, he’s backed it up with the academic research, he finished a Musicology PhD in Spanish Renaissance Music in vihuela. So, for those who are interested in hearing a master at work, check out his upcoming recital Ralph Maier & Friends on Sunday, May 1st, 2016 from 2-3pm in the TransAlta Pavilion of the Taylor Centre for the Performing Arts.
Not only will he be strumming a vihuela, Maier’s program includes some pieces on the Baroque guitar, which is a five-course instrument meaning it has five pairings of strings to strum. The strumming, traditionally, was meant to accompany dancing, so there are a series of universal chord progressions known to many players of the time; much like a Blues progression today. The progression, Maier says,“became a staple. Then, composers would write a variation on it.” Among those composers, he lists Bach, who added his own touch to the Spanish plucking tradition. Maier’s study of the form has led him to complete his latest CD, aptly titled “Variations” which is available on both iTunes and CD Baby.
Musically speaking, he gets history. My personal history, having known Ralph for nearly two decades, is that there’s nothing he can’t play on a guitar. Tim Brady is a contemporary composer who wrote a piece for 20 electric guitars. Maier was one of the twenty. He was so inspired by this composition that he recorded it for his latest CD, playing all twenty parts multi-tracked. After recording it, he sent his interpretation to the composer. His reaction, according to Maier, was, “he liked it and that was very reassuring.”
Recently, in addition to his teaching at MRU Conservatory he has been teaching university classes like The History of Led Zepplin, Progressive Rock Music and The History of Heavy Metal. “I’m all over the place, musically.”
Maier will be reuniting with the Oberon Guitar Trio (Brad Mahon & Murray Visscher) as well as teaming up with flutist Tim Janz for this program. As to what era their contributions might represent, it’s anybody’s guess.
When I asked directly what we could expect in this Spotlight Series Concert, his answer was confidently nebulous. “I’m not absolutely sure.”
Such is the secret of a true modern Renaissance man.
On April 30th, 2016, you’ll find Herbie Hancock, Aretha Franklin, Diana Krall and Sting at the White House. There will also be some jazz music featured in Bologna, Italy in the Jazz 4 Peace Celebration, and in the Quartet Diminished in Concert show at Niavaran Hall in Tehran, Iran.
Jazz music brings together the improvised solo expressions of individual instruments into an artistic whole in a combo. That’s the message of UNESCO’s International Jazz Day, celebrated this year on April 30, 2016.
“UNESCO (United Nations Educations, Scientific and Cultural Organization) declared this day a day that celebrates creativity and diversity of Jazz music,” says in-the-know saxophonist Mark DeJong.
DeJong, who’s the new Artistic Coordinator at MRU Conservatory, has composed a special something to celebrate at the TransAlta Pavilion, “We are celebrating some of our renowned jazz alumni. We’re featuring a great local vocalist by the name of Aimee-Jo Benoit. She has a great following with indie bands like Woodpigeon. Joining her are some former grads of the Jazz Program.”
The program is made up of some jazz standards, “She’s going to dive in to the American Songbook for those ‘tin pan alley’ chestnuts.” DeJong continues, “then some jazz originals and really creative interpretations of some of her favourite Canadian icons like Joni Mitchell and Neil young.” No matter what the source inspiration is, DeJong insists that Benoit promises to, “breathe new life into them.”
He would know first hand.
DeJong is among the esteemed alumni joining Benoit onstage with saxophone in hand. “This is my first presentation as the new Artistic Coordinator at MRU Conservatory.” he says, “One of the things I wanted to do was be involved in the early shows both as a programmer and on the ground on the stage.”
As a unique UNESCO moment, DeJong and the combo are excited to have CBC’s Tim Tamashiro take the stage as guest emcee. “Anyone who’s a jazz fan in Canada knows Tim… not only with his incredible career as a jazz vocalist, but as the host of CBC Radio 2’s Tonic.” The ‘drinky’ jazz crooner will be on hand to spread the harmonious message to the jazz community, “he’s such an energetic and creative personality,” DeJong says, “We’re really delighted that he’s able to join us.”
Benoit, DeJong and Tamashiro are warming their chops for April 30th. To celebrate UNESCO International Jazz Day with the rest of the world, click here, or head to the White House.
- by JLove
Akiko Tominaga is an artistic tour guide. The worldly pianist, featured in the Spotlight Series from 2-3pm on Sunday, April 24th in the Taylor Centre for the Performing Arts’ TransAlta Pavilion, called the program “Postcards from Afar” to take the audience on a musical journey. The best part is, they don’t even have to leave their seats.
Tominaga herself has experienced many cultures and their sounds. Born in Japan, she grew up moving to the varied musical landscapes of Singapore and the United States, she’s traveled to Europe and Asia and makes her home here in Canada. Along the way, she’s picked up sonic souvenirs that she’ll present to her audience. “Postcards from Afar” is based on pieces inspired from these different cultures,” she notes, citing specific references to Asian, Spanish and French influences. “Through the music, people can experience different cultures.”
Much like travel, the program selections are a feast for all senses. “You can blend and paint with sound,” she states. Highlighting works by French master Debussy, Spanish rhythmist Albeniz and Japanese minimalist Takemitsu, she couldn’t select a wider variety of cultural palates to paint with. “Music goes into the visual arts (in one’s mind)” she nods. “We experience it through audio, but we can feel the temperature, texture and tonality.”
Each culture has evolved in its own musical influences. The listening ear can place the hint of an Asian-influenced scale compared to a more western aesthetic. Tominaga suggests that accessing it starts on the page. “It all comes from the score.” She attests, noting composers’ own interpretive descriptions like ‘celestial light’ and ‘joyously’ on the printed page. “I analyze and study the score, then reflect on what the composer wrote. I see the images. I hear it. I see shimmering gold. By envisioning it, I can play it.”
This particular program has, itself, traveled. Tominaga played it in recital as a part of Roland Graham’s Master Piano Recital Series in Ottawa last month. As it travels, it evolves. “It’s never the same,” she expresses, “The whole dynamic performance experience is exciting. It can only be created in that moment. That unique experience is what attracts me to live music.”
Take the trip with Akiko Tominaga. All travel yields memorable experiences. But, unlike most jaunts abroad, this Spotlight Series show is by donation only and includes one thing you won’t find at any airport… free parking.
Please RSVP if you’re attending the concert on Sunday, April 24.