The technicians at the Bella Concert Hall are ‘geeking out’.
Al Williams and Owen Day are the audio and lighting gurus preparing for the advent of a new sound in the concert hall. “For the first time in the Bella, we’ll be bringing in a bunch of sub-woofers,” Williams says, practically rubbing his hands with glee.
The reason is the upcoming appearance of reggae legend Ziggy Marley and his band on October 13, 2016. Marley and crew will kick off the inaugural concert season at MRU Conservatory called Music to Your Ears 2016-17. From an auditory perspective, there’s certainly a lot of diversity in the season, which features such varied guests as Wu Man (Chinese pippa player), the Pedrito Martinez Group (Afro-cuban drummers) and Chantal Kreviazuk (Canadian pop singer/songwriter).
This will mark the first occasion that reggae music will resonate in this concert hall.
For a brand new space, it certainly isn’t missing anything. Williams notes, “We have subwoofers in the building, but they’re primarily designed for the acoustical space. With Ziggy’s band and their type of music, there’s a tremendous amount of low frequency energy that’s involved in the show. So, we’re bringing in seven Meyer 700 HP double 18 Sub-woofers.”
For those unfamiliar with the audio brand, the best explanation Williams can offer is, “It will rattle the rafters.“
Lighting technician Owen Day echoes the excitement, “It’s definitely exciting to be doing bigger events. We have more technology and more toys to play with to provide a better show.”
What’s expected in an event like Marley’s is a rock concert event, which is a far cry from the technical demands of a solo violinist in recital or a keynote speaker. To illuminate Marley’s stage, Day says, “We’re adding more lights featuring lots of colour in the LED world.” LED meaning ‘light-emitting diode’, a technology that is making stage lights, as well as indoor Christmas lights, more energy efficient, easier to manipulate and brighter.
Day admits to the scope of this reggae event, “That’ll be the full use of sound system and the lights. I’ve seen his (Ziggy’s) rider and we’ll test the limits of the space.”
Brighter and louder will describe the Bella Concert Hall’s contributions to the Calgary music scene.
For those lucky enough to get tickets to the event, it’ll be spectacular. Day has been listening to exiting audience members from his booth at the back of the hall, “Everybody loves it. At least one person comes by and says ‘the space is amazing.’” Having that reaction motivates the positivity of the tremendous work required to make each show look and sound good. Day is in his zone, “It’s the dream. The kind of job you love coming into every day.”
Topping his colleague’s excitement, Williams quips, “I love the reggae, mon!”
Ziggy Marley @ the Bella Concert Hall
Thursday, October 13, 2016
Like many on staff at MRU Conservatory, Jaijai Li is both a gifted teacher as well as an accomplished performer.
She grew up playing both Chinese and Western classical flute, which has significantly shaped her playing. With the help of Program Administrator Jean-Louis Bleau, she is part of the new Chinese Classical Music program, teaching an instrument called the Dizi, a Chinese flute. Li says, “I’m excited and grateful that the conservatory is promoting Chinese music and it is just the beginning of this exciting program.”
In addition to the Dizi, students of Chinese Classical music can study the Erhu, Guzheng and voice. Jaijai grew up studying with dizi masters Dai Ya and Hou Chang-qing, but “Nowadays,” she notes, “besides classical music, I play lots of contemporary and experimental music which requires exploring new ways and techniques to play the flute.” Some of that innovation takes place with her colleagues in the Timepoint Ensemble, who are appearing at the TransAlta Pavilion in the Taylor Centre for the Performing Arts on Saturday, September 24th.
The Timepoint Ensemble is, “a New Music ensemble and we are also new. So we should be a new new music ensemble.” She jests. But the diversity of music they perform is no joke. “A whole lot of different styles: Minimalism, post-genre, fusion, and music for experimental cartoons. You’ll hear different sounds coming from a grand piano, watch a video game, and discover the players interacting with each other and improvising on stage.”
The show is called, Bridging Divides: Cascades, Layers, and Nightmares. Their program is as eclectic as their line-up featuring contemporary works by Marcus Fjellstrom, Ted Hearne, Bethany Younge and Terry Riley.
These are not household names by any stretch, but Li and her Timepoint counterparts are here to push the boundaries. “I think the society doesn’t fully recognize the value of musicians and artists when compared to some other places like Europe.” Having lived in Germany for three years prior to landing in Calgary, and also calling cities like Toronto and Bejing home, she has a worldly view on culture, “Every show is a another story, a unique experience, and a different angle to the society, to the art and music.
In another effort to bring the music to ‘the people,’ Timepoint is rarely confined to a concert hall setting. With venues ranging from coffee shops like Café Koi to the ContainR Art Park by Sunnyside, they’re bound to open some eyes and ears of new new music audiences.
Li likes the challenge of the new frontier and challenges audiences to see this ensemble live, “Timepoint will inevitably do something different from any possible expectations. But that’s part of the game – come to experience something new!”
Experience the Timepoint Ensemble, the first of the MRU Conservatory’s Salon Series at the TransAlta Pavilion at 8pm Saturday, September 24th. You might be the new new audience they’ve been looking for.
– by JLove
“Beethoven is pretty cool, but there have been a few guys and girls composing after him,” says true musical maverick Melanie Leonard.
Leonard is founder and Music Director of the Wild West New Music Ensemble and the newly appointed Music Director, Sudbury Symphony Orchestra. Calgarians remember her well from her four years as Associate Conductor of the Calgary Philharmonic Orchestra, but she promises to bring something new to the stage in the Fall, “I have a passion for new music and bringing people to beautiful music they don’t get to hear very often.”
The concert, titled Baroque Minimalism is a part of the MRU Conservatory “Music To Your Ears 2016-17” Concert Season in the Taylor Centre for the Performing Arts’ Bella Concert Hall. The program features works by minimalist composers Phillip Glass, Marjan Mozetich and Steve Reich who are all considered major influences on minimalist music.
Glass is perhaps the best known to audiences due to his scoring of award-winning films including “The Truman Show” and “The Hours”. Leonard has invited renowned organist Neil Cockburn to join the ensemble for his Harpsichord Concerto, a time-traveling sonic experiment. Both composer and performer are,“using an ancient instrument in a modern way,” Leonard describes, “extending it into another era.”
The ensemble will be composed of up to twelve instrumentalists, depending on the requirements of the piece and, in one case, will feature some pre-recorded vocal interviews. In1990, Steve Reich won a Grammy for Different Trains based on the train journeys he made in America during WWII. Had he been in Europe at the time, the train ride might have been destined for Auschwitz. In the piece, Reich uses the cadence of the human voice from the recorded interviews to dictate the musical melody of the strings. “You’ll hear a conversation onstage between the voices and the instruments,” Leonard promises. It has been described by The New York Times as, “a work of such astonishing originality that breakthrough seems the only possible description… an absolutely harrowing emotional impact.”
Rounding out the program is one of the most broadcast classical composers in Canada. Marjan Mozetich’s Baroque Diversions, featuring Marcin Swoboda on viola, will resonate in the hall and with audiences alike. Leonard is pleased to be shining the spotlight on, “masterworks of the 20 & 21st Century with this work by a living Canadian composer.” Her motivation is simple, “I want people to appreciate the music that every century has to offer.”
Whether it’s a new audience for classical instrumentation or new works for a classically trained audience, Leonard is sure of one thing, “Beethoven would be all for it.”
MRU Conservatory is pleased to welcome the Melanie Leonard and the Wild West New Music Ensemble at the Bella Concert Hall in the Taylor Centre for the Performing Arts on Saturday, October 15th, 2016 at 7:30pm. For tickets or more information, go to mru.ca/enjoy or call 403-440-7770.
- by JLove
What is a Rastagarian?
Leo Cripps knows. He’s one of the original six Calgarian reggae fans who, in 2003, created the Calgary Reggae Festival Society and have since entertained other Rastagarians with the best that reggae has to offer at Reggae Fest each August since.
When Cripps found out Ziggy Marley was playing the Bella Concert Hall, his vibe went from laid back to up tempo. “It’s gonna be a great show. Ziggy’s always been an amazing performer.”
Admitting it was quite a coup for a brand new concert venue to attract one of reggae’s top names, he says, “Ziggy’s one of the premiere performers in today’s day and age.” Having experienced Marley in concert before, Cripps adds, “You know you’re gonna have a well–rehearsed solid performance. He’s gonna deliver a great show for you.”
The Marley Family is, according to Cripps, “A dynasty. Bob (Marley) laid the foundation. It’s amazing to see the family that have taken it on. You have the third generation of Marleys still performing and producing some of the best reggae products in the world.”
Talking about Ziggy’s famous father, Cripps states, “Bob was such a dominant force.” By comparison, he identifies another world-renowned Jamaican, “Usane Bolt is the sports icon that carries the torch. Bob carried that for reggae music.”
With his new self-titled release just out, featuring the single “Weekend’s Long”, Ziggy promises to deliver hits from all six of his studio releases that will be the first reggae jams heard in the new acoustically tremendous concert hall.
Cripps is keen to hear the legend in an intimate space, “I’ve heard great things about the (Bella) hall from the audience perspective on how good the sound is in there.” According to this Rastagarian, he’ll be among friends, “There’s a huge reggae following in this city.” I’m anticipating that it’ll be a good crowd going out to see it.”
- by JLove (Rastagarian)
She recalls when her passion for performance was ignited, “I first saw taiko performed at the Heritage Day Festival in Edmonton in the late 80’s. I was immediately drawn to the natural rhythms, the thunderous booming sound, and the choreography that was incorporated into the music.”
Having studied ballet since age five and music since age 9 (she is also an oboist), she liked the synergy of the art form, claiming, “Taiko seemed to draw elements of both of those worlds.” Referring primarily to the Japanese group KODO, Nieckar admires the well-rounded commitment involved, “Professional taiko players are amazing athletes with training regimens that include long distance running, workouts, communal living, and strength training, in addition to intense drumming.” Though Nieckar will be offering a Youth Class (ages 10-15) and an Adult Class (age 16+) in the fall, it likely won’t be as intense. “Students should be prepared for a lot of fun,” she quips. “There’s some physical movement within their own physical capabilities, but there is no experience necessary.”
For those starting musicians of all ages who may be intimidated by notes on a page, Nieckar dispels that fear, “Taiko pieces are taught orally using a method of kuchi-shoga (a verbal cueing of the rhythm using syllables like ‘don’, “doko” or “ka”), and pieces are memorized rather than reading sheet music.”
She describes three sizes of drums that will be explored in class. “Large Odaiko drums have a very deep thunderous reverberating quality. The small shimedaiko have a more piercing high-pitched sound.” Finally, she identifies the popular chudaiko drum, “a medium-sized taiko that is often constructed from recycled wine barrels.”
Those who have experienced taiko performances, perhaps from Nieckar’s ensemble Midnight Taiko Kai in Calgary, will perhaps recognize two differing drum positions. Beta-dai is the upright flat-on-the-floor drumming that students will begin with and Naname is where the drum is raised and angled to enable a different percussive style and choreography. In all age groups, Nieckar will rehearse, “a variety of traditional and “open-source” repertoire, as well as introducing some basic improvisation.” Then she hopes to have a public recital on the final day of classes for family and friends to experience taiko performance.
According to Nieckar, this is a great time for the MRU Conservatory to start incorporating the art of taiko drumming in its musical programming. She says, “Some of my taiko peers are collaborating with rock bands, electronic music, ballet companies, classical music, television commercials, sports half-time shows and with choral music.” In fact, she addresses its growing presence in popular culture. “Photos of an interview with composer John Williams leading up to the release of Star Wars: The Force Awakens revealed an odaiko in the percussion section at the back of the orchestra.”
For fans of the Force, “these are the drums you’re looking for.”
- by JLove