“Life is a lot like jazz… it’s best when you improvise.”
– George Gershwin
Like many jazz artists, Andre Wickenheiser is multifaceted. Whether he’s swinging with the Calgary Creative Arts Ensemble, soloing with the Prime Time Big Band or teaching emerging trumpet players what he’s mastered of the craft, this cat knows jazz.
“It’s a very basic jazz improvisation course,” he assures, “We’re starting from the very beginning. It’s a very warm and friendly environment so people can feel free to experiment and create music without judgement.”
He acknowledges that the course is geared towards people 16 and older. He explains the reason is that, “you have to have a certain level of proficiency to get the most out of it.”
Wickenheiser creates a collaborative environment in all ensembles he works with, “It has nothing to do with theory or chords or scales,” he notes, “it’s about sound and time and feel.”
Jazz improvisation is something that has to be learned and nurtured. It’s not just notes. The notes strung together become ideas. Wickenheiser compares, “Creating coherent musical phrases is the equivalent of building a sentence using words. Using the musical ideas you already know, you can form new ‘sentences’ out of that.”
But Wickenheiser imparts that you’re never just speaking to yourself. Under the right tutelage, these sentences can grow into musical conversations between soloists, “There is trading (solos), call-and-response… interacting is a huge part of it.”
His biggest focus in the course is the sound. “No matter what you play, the sound is the first thing people hear.” Not to be singularly focused, he adds, “Then, having a really good time feel so you’re always in the groove.”
“As jazz has progressed, it’s become more technical.” He explains. But in this Jazz Improv course, he wants to keep it simple.
He cites some heroes, “Guys like Ben Webster (tenor sax), Harry “Sweets” Edison (trumpet) and Lester Young (tenor sax) all played in the Duke Ellington Band and Count Basie Orchestra before bebop. So, before things got really busy and ‘note-y’ they were just playing melodies all the time.”
The secret of their success is, “A lot of the time, they’re playing something simple, but what they’re playing has a very profound statement. It’s not about flash, it’s about being musical. Their sound and their stylistic inflections on things make it very interesting. It’s a good place to start.”
A note of caution from Wickenheiser, “A lot of people listen to Charlie Parker and Dizzy Gillespie when they’re starting. They’re very technical.” He adds that some get turned away from the complexity, “they think – woah, I can’t do that.”
In this course, he empowers the budding jazz soloist, “What you end up creating is based on what you’ve heard before. It’ll get your brain thinking in a different way.”
Along with his instructional duties, you’ll hear Andre Wickenheiser featured in this month’s Salon Series with The Calgary Creative Arts Ensemble in the TransAlta Pavilion at the Taylor Centre for the Performing Arts on Saturday, February 25th at 8pm.
– by JLove
Laurie Matiation, instructor with MRU and Horn player with the Calgary Philharmonic Orchestra, is ready. She announces, “Our guest artist is Dr. Ashley Cumming who’s originally from this area (Alberta). She studied with Jeff Nelson.”
Nelsen, who’s also hails from Alberta, is the horn player in the Canadian Brass.
At the risk of seeming like we’re blowing our own horn, it seems like Alberta’s got talent when it comes to this instrument.
Cumming, who studied at Indiana State and now works at Murray State University, contacted Matiation to see if there was an opportunity to work with the students of the MRU Conservatory Academy for Gifted Youth. Matiation saw an opportunity, “I had hired her for the Academy Program, and it was right around Hornfest, so we put it together.”
Hornfest, which runs the weekend of March 4-5, 2017, is a celebration of horn playing with a particular emphasis on playing together.
“We’re going to be working on a lot of ensemble stuff,” Matiation explains, “Every person who comes is going to be put in a small ensemble… a duo, trio, quartet or sextet.”
Clinicians and coaches are established horn players like Matiation, Heather Wootton, Douglas Umana and Jennifer Frank-Umana all of whom occupy seats in the Calgary Philharmonic Orchestra.
For those contemplating joining, you’re more than welcome.
“It’s open to anyone from beginners to adult horn players in the community.” Matiation explains, “It’ll be a nice community weekend of horn playing.”
Along with repertoire that includes some movie music, “like some John Williams or (the theme to) Rocky,” Matiation alludes to a special commission that a lucky octet could play, “We have a new piece we might feature this year. It was used at Joan Watson’s memorial service.” Watson was the Principal horn player of the Canadian Opera Company who passed a couple years ago.
Matiation is hoping this new work will pay tribute to an inspiring player and teacher who had worked as a clinician at MRU Conservatory.
Hornfest continues to enrich the education of local brass players by bringing them together with great instructors and guest artists. Matiation notes the support of the Margaret Stephens Memorial Fund, a fund established after a passionate adult horn player who played in the Westwinds Society Band in Calgary, which allows Hornfest to invite guest artists to come to MRU.
As highlights go, whether it’s the master classes, guest artists or mass horn choir finale, Matiation says, “It’s hard to pinpoint one particular thing.” But she knows her favourite part of the gig, “It’s watching the students have that ‘lightbulb’ experience. You know, I can do this! I’m a part of that sound.”
It’s this excitement and inspiration that ensures Hornfest will continue to produce and support the upper brass of Canadian horn playing for decades to come.
The City of Calgary has been celebrating hometown achievements and innovative contributions by Calgarians with The Calgary Awards since 1994. In it’s first year of operation, MRU Conservatory was presented with the Award for Accessibility for the Taylor Centre for the Performing Arts.
“We’re honoured.” Says Elaine Danelesko, Director of the MRU Conservatory. “It’s a marvellous design and we’re pleased to have the facility contributing to the arts culture in Calgary.”
The 95,000 square foot building, which broke ground in 2011, features many soundproofed studio spaces and classrooms along with performance venues like the versatile TransAlta Pavilion and the acoustically pristine Bella Concert Hall. It is home to the MRU Conservatory and it’s 10,000 registrants in the student programs, performances and ensembles.
Danelesko simply states, “It feels like a fitting honour as our goal is to be an inclusive space for all Calgarians to practice, perform and enjoy the arts.”
The categories assessed by the panel are Accessible Entry, Accessible Parking, Accessible Seating and more. With special attention to audience experience, there are seats with removable armrests for those attending in a wheelchair, and restrooms and water fountains on all levels of the building. The space, which is already making waves in audio circles about its amazing acoustic design, wants a totally inclusive audio experience. So, it has Infrared assistive listening devices available for all to enjoy the music and spoken word performances in either performance space.
This comes at a great time for the institution as programs are already underway for the Fall semester’s music and speech arts studies. In addition, the MRU Conservatory is about to launch the Music To Your Ears concert season, which features over 25 events from performers ranging from Ziggy Marley (Oct. 13) and Chris Hadfield (Nov. 26th) to Brian Blade and the Fellowship Band (Jan. 29, 2017) to Land’s End Ensemble (May 26. 2017).
Award-winning accessibility seems to be part of the new mandate at the MRU Conservatory.
“We want to invite everyone to experience the Taylor Centre,” says Artistic Program Coordinator Mark DeJong. “With a diverse offering from reggae to classical, jazz to opera, there’s accessible performances for everyone.”
It turns out the Taylor Centre for the Performing Arts is in good company with several prominent fellow community builders. The Calgary Awards are given in 16 categories including Community Achievement Awards, Signature Award, presented to philanthropist Richard F. Haskayne and the Citizen of the Year Award, which went to Big Brothers Big Sisters board member David Pickersgill.
With the design of being ‘barrier-free’ to all, there’s no doubt that countless will enjoy accessing all that the Taylor Centre has to offer as a cultural hub for all in the Heart of the New West.
– by JLove
At a time when we’re celebrating our country’s athletic achievements on the podium in Rio, there’s some gold medal achievements worthy of celebration here on home turf. Eric Auerbach is the Canadian National Strings Champion.
Auerbach, who is 26 year old violinist, competed in the Calgary Performing Arts Festival at MRU in the spring, then went on to win at the Provincial level in Edmonton and just capped the triple-crown winning at the National level, also in Edmonton, this August.
“I played the Bach Partita no 2 in D minor, and the Sibelius Violin Concerto,” said the MRU Academy student. With a one-hour time limit on his performance, he describes his performace as, “very exhausting, both mentally and physically. My program was timed at a little under an hour, so I couldn’t take many breaks in between movements or pieces.”
As one of Bill van der Sloot’s string students, Auerback senses some thrilling progress in his playing, “The first time I played the program at the Calgary festival I thought my arms were going to fall off by the time I was done. By the time I reached Nationals, I was able to play the program without getting physically tired, which I am very happy about!”
Not just a solo artist, in the national chamber class, he was joined by Jenny Crane (cello) and Minja Mckenna (viola). Having been on a two-month hiatus before the competition meant that the trio had to make up for lost time. “We were only able to meet a week before Nationals. During that week we met every day, sometimes twice a day, to get our pieces back into shape.”
The hard work paid off as the trio, coached by John Thomson who was in the audience in Edmonton for support, was also awarded with first prize in the chamber music division.
As a gracious victor, Auerbach sites the work of van der Sloot and Thomson, along with previous instructors Ian Swensen and Kevork Mardirossian as the reasons he made the podium, “I would not be where I am without any of these teachers.”
Winning nationals earns the violinist a scholarship which Auerbach plans to use towards his studies. “ I am supporting myself to study here, and the winnings I have received will allow me to continue to do this.”
When asked what the key to his gold-medal success has been, he answers, “I would say having the curiosity to be constantly searching for what you want. I get pretty fascinated and obsessive over the music I am playing, and nurturing this trait lets me take the time and space I need to grow.”
– by JLove
Sophie Serafino is a proud Academy graduate whose continued success onstage mirrors the education she received from instructors like Bill van der Sloot at MRU Conservatory. These formative musical memories are powerful motivators to propel careers, strive for excellence and, in many cases, to give back.
With the help of the Rotary Club of Calgary Downtown, she is creating a partnership to pay it forward. This last month, the TransAlta Pavilion at the Taylor Centre for the Performing Arts in MRU Conservatory was filled with world-class talent and world-class Rotarians. Serafino sings their prasies, “The Rotary Club of Calgary downtown, is a huge provider of scholarships. They strongly support education right from basic literacy to adult education.”
This particular event, however, has a philanthropic twist. The funds, to the tune of $7000 in its inaugural presentation, are to go towards the students’ tuition costs at the renowned post-secondary music institutions they’re destined to study at.
“On a practical level,” Serafino explains, “giving a student the freedom from financial concerns to concentrate on the study of their instrument can make all the difference in a busy year of study.” The levels of need are varying, but the cost of Julliard is ever increasing. Serafino recognizes that, “If a very promising student cannot access the tuition they require, it might prevent that player from continuing their study at all.”
And she would know. Since her time in the Academy, she has successfully transitioned her violin studies into a thriving career. She has recorded several critically acclaimed albums and appeared with artists including Josh Groban, Amy Sky, Pavlo and one of MRU Conservatory’s Music To Your Ears 2016-17 Season stars, Chantal Kreviazuk. The passion with which she plays onstage is echoed in the passion she has to give another generation of performers a leg-up. “Supporting music education, and those talented students who may go on to professional careers with assistance is extremely important, not only for those students, but for our city, for the future art and culture in our city.”
The doors opened into the enchanting TransAlta Pavilion and each eligible student played to a rapt Rotarian audience and to a panel of esteemed adjudicators from the Calgary community. Joining Bill van der Sloot on the panel were Paul Dornian, President of the Calgary Philharmonic Orchestra, John Kadz, Artistic Advisor and Coordinator for the Academy Program and Rolf Bertsch, conductor of the Calgary Civic Symphony.
With the array of talent taking the stage, their work was definitely cut out for them.
In Serafino’s words, “The standard of performance was absolutely fabulous. Very competitive, and impressive.” In the end, the adjudicators agreed that the inaugural scholarship funds were to be given to pianist Kevin Chen (12 and under), violinist Isabella Perron (13-16 years) and violinist Angela Ryu (17 and over).
MRU Conservatory is grateful to forge this insightful partnership and Serafino and her fellow Rotarians couldn’t be happier. “I am grateful that it came together, and that the funds went towards tuition of an amazing group of students. I would love to add a few 0s to the scholarship amount! I will work towards this scholarship increasing in the amount to a point where we could potentially send students to study at world-renowned institutions around the globe, and I want to help make that happen.
- by JLove
The excitement is electric.
The sound-check’s done and… we’re about to take centre stage.
In 2015, we completed construction and opened the Award-winning Bella Concert Hall and the Taylor Centre for the Performing Arts. While it still has that ‘new theatre smell’ we’d like to amplify its acoustics by showcasing the finest local, national and international talent to play it.
We would like to announce the debut of SEVEN CONCERT SERIES taking place at the versatile venues in the Mount Royal University Conservatory’s Taylor Centre for the Performing Arts in 2016-17. These concert events will showcase some of the most innovative contemporary artists to bring music to your ears. We want our MRU Insiders to be the first to know what’s up.
Join us on May 13th, 2016 as we announce the line-up.
This will take place at the James Ehnes concert, our final Wyatt Series event for this season.
Our follow us online for up-to-the-moment social media releases. (Follow @MRUConservatory or mtroyal.ca/enjoy)
The Bella Concert Hall was built on sound.
The Soundscape Series showcases the amplification of these artistic vibrations in their acoustic glory.
* 5 concerts from local, national and international influential artists and ensembles.
Importing world-class musicians from around the globe. Let’s give them a true Calgarian white-hatted welcome.
* 5 concerts will take audiences on musical adventures in many musical genres.
Northern Lights Series
2016 is the Year of Music in Calgary. 2017 is Canada’s 150th Birthday.
What better way to celebrate our home and native land than to feature some of its finest artists.
*5 concerts will define our country’s energy, diversity and talent.
Our celebrated Wyatt Series continues to feature contemporary masters of classical works in performance and mentorship of our music students. This series honours the late Hal and Marnie Wyatt, longtime supporters of the Mount Royal University Conservatory.
* 3 concerts from modern masters.
Family Portrait Series
Music, Speech Arts and Theatre are for all-ages. To ensure that the younger family members, and those who are young at heart, get to experience amazing music and storytelling, we have the Family Portrait Series.
* 2 narrative shows that will inspire imaginations, whether it’s your first or ‘bazillionth’ time at a performance.
The Spotlight Series showcases our diverse and talented instructors in performance. We’re so proud of our instructors, we want to bring their talents to centre stage. This monthly feature is as varied and exciting as the programs we offer.
Historically, the Salon was a favourite meeting place for musicians of all styles to play, listen and collaborate. We’re bringing it back. Throughout the season, we’ll be offering these opportunities for folks to mix, mingle and enjoy a variety of musical entertainment.
Of course, we’ll still be presenting concert events featuring all of our incredible performance ensembles and programs, including festive favourites Winter Fantasia and Sounds of the Season.
Connect with us on social media for your chance to win tickets to each of the series, or the grand prize, seasons tickets to ALL concert events in our 2016-17 Season!
Like, follow and spread the message to your friends and family. It’s going to be an inspiring season of sound at the Mount Royal University Conservatory!
– by JLove
The New York Times reported that, “superb violinist Christian Tetzlaff pulled out of an important concert at Carnegie Hall.” It was for an arguably more important occasion as he flew home to Germany to welcome a new addition to his family. The remaining trio of Leif Ove Andsnes (piano), Tabea Zimmermann (viola) and Clemens Hagen (cello) were left without a premiere violinist to play Brahms’ three piano quartets on the famed stage.
Enter Canadian violinist James Ehnes.
Ehnes, who will be appearing at the Bella Concert Hall as a part of the Wyatt Concert Series on May 13th, 2016 describes his last minute substitution as “quick, crazy and fun.” The Times reviewer Anthony Tommasini thoroughly praised the fill-in’s contribution, “Mr. Ehnes’s velvety sound and sensitivity fit well with the vibrant playing of his colleagues on this night.” There’s no doubt his notable contribution was appreciated by his esteemed collaborators and the audience alike.
Now back home with his family in Florida, Ehnes takes a breath to reflect on the quartet’s shows which included performances at Chapel Hill, North Carolina and at Orchestra Hall in Chicago. He also has a moment to acknowledge his recent Juno win for Classical Album of the Year which was announced here in Calgary. “We work so hard on these albums, it’s nice to be recognized.” A humble comment for an artist who has now won eleven of the coveted prizes.
“The genesis for each (album) is different,” he explains. “Andrew Armstrong and I have pieces we’ve played a lot over the years. When you work with a collaborator, at some point, you get to where you feel like everything is clicking. If you have the opportunity to record at that point… that’s when you want to. We were having our moment,” he continues, siting his accompanist Andrew Armstrong who he has collaborated with since 2001 and will be joining him onstage at the Bella, “There was no P.R. plan. It was just the two of us saying we like these pieces… let’s record them.”
Calgarians will rejoice to see the pair tackle works by Brahms, Handel, Beethoven and Canadian composer Bramwell Tovey, but that’s not the only partnership they’ll witness. Ehnes’ oldest collaborator is The Marsick, the Stradivarius violin crafted in 1715 and named after a Belgian violinist of the late 1800s. “It’s been like a family member,” Ehnes says. He first saw and heard the instrument in 1996 at age 20. He imagines the life of the instrument in context, “It’s incredible to think that you’re only a custodian for a short period,” his respect for the Stradivarius is unwavering, “I’d love to think when it leaves my hands it’s no worse off than when it came in my hands.”
His whole family will be joining him for this leg of his 40th birthday tour. For his children, whom are Canadian but live in the U.S., this drive from Vancouver to Winnipeg with concert stops along the way is a great way for them to experience their homeland. “I wanted them to see all these places across Canada that have been good to me.” Ehnes reflects with both patriotic and paternal pride. “I want them to see the scale.”
Their family tour will be documented by filmmaker and close friend Nate Bauer who will be shooting footage from the road and backstage. As to what the collected documentary clips are used for, time will tell. Until then, it’s a marvellous family video.
Expect to see the cameras rolling as Ehnes and Armstrong take the stage at the Bella on May 13th, 2016. It will be their debut at this venue and Ehnes is excited. “I’ve been hearing wonderful things about it,” he admits, “lots of people have said it’s a great sounding hall.”
As he prepares to return to Calgary to team up with Armstrong and The Marsick at the Bella, there’s no doubt he’s glad he got to play Carnegie Hall to warm up for it.
On April 30th, 2016, you’ll find Herbie Hancock, Aretha Franklin, Diana Krall and Sting at the White House. There will also be some jazz music featured in Bologna, Italy in the Jazz 4 Peace Celebration, and in the Quartet Diminished in Concert show at Niavaran Hall in Tehran, Iran.
Jazz music brings together the improvised solo expressions of individual instruments into an artistic whole in a combo. That’s the message of UNESCO’s International Jazz Day, celebrated this year on April 30, 2016.
“UNESCO (United Nations Educations, Scientific and Cultural Organization) declared this day a day that celebrates creativity and diversity of Jazz music,” says in-the-know saxophonist Mark DeJong.
DeJong, who’s the new Artistic Coordinator at MRU Conservatory, has composed a special something to celebrate at the TransAlta Pavilion, “We are celebrating some of our renowned jazz alumni. We’re featuring a great local vocalist by the name of Aimee-Jo Benoit. She has a great following with indie bands like Woodpigeon. Joining her are some former grads of the Jazz Program.”
The program is made up of some jazz standards, “She’s going to dive in to the American Songbook for those ‘tin pan alley’ chestnuts.” DeJong continues, “then some jazz originals and really creative interpretations of some of her favourite Canadian icons like Joni Mitchell and Neil young.” No matter what the source inspiration is, DeJong insists that Benoit promises to, “breathe new life into them.”
He would know first hand.
DeJong is among the esteemed alumni joining Benoit onstage with saxophone in hand. “This is my first presentation as the new Artistic Coordinator at MRU Conservatory.” he says, “One of the things I wanted to do was be involved in the early shows both as a programmer and on the ground on the stage.”
As a unique UNESCO moment, DeJong and the combo are excited to have CBC’s Tim Tamashiro take the stage as guest emcee. “Anyone who’s a jazz fan in Canada knows Tim… not only with his incredible career as a jazz vocalist, but as the host of CBC Radio 2’s Tonic.” The ‘drinky’ jazz crooner will be on hand to spread the harmonious message to the jazz community, “he’s such an energetic and creative personality,” DeJong says, “We’re really delighted that he’s able to join us.”
Benoit, DeJong and Tamashiro are warming their chops for April 30th. To celebrate UNESCO International Jazz Day with the rest of the world, click here, or head to the White House.
- by JLove
Mount Royal Conservatory student Angela Ryu, a violinist in the Academy for Gifted Youth program, recently won the grand prize as well as the first prize for all string instruments at the National Music Festival of the Federation of Canadian Music Festivals. The competition took place from August 13-15 in Edmonton.
Angela is 15 and competed with string players of all ages from across Canada, including university music students.
The competition is the largest grass roots music contest in Canada, with tens of thousands of competitors in every city and town in Canada.
“Decades of thoughtful hard work and support have given the community of Calgary an exceptional Conservatory for our gifted young artists,” notes William van der Sloot, Manager of Academy and Choral Programs. “Part of the mission for all of our universities and colleges is to serve our communities. There is no better example of this at MRU than The Conservatory.”
15-year-old violinist Isabella Perron is on a roll. She participated in three international competitions this spring and summer and came away with three prizes.
Most recently Isabella won the 11-14 Years Grand Prize at the Canadian Music Competition held in Vancouver from June 19-July 3. She received top marks of 97 percent and had the opportunity to perform with the Vancouver Metropolitan Symphony in a Gala Concert on July 4.
She just returned to MRU to participate in the Conservatory’s Morningside Music Bridge, where she looks forward to studying with distinguished guest faculty including Noah Bendix-Balgley, Tadeusz Gadzina, Ian Swensen, Gwen Hoebig and Shanshan Yao.
Isabella was the youngest semi-finalist in the 30th annual Irving M. Klein International String Competition held in San Francisco from June 4-7.
She won the 2015 Elaine M. Klein Second Prize as well as the prize for Best Performance of a Commissioned Work.
The first competition this year was the Johansen International Competition for Young String Players in Washington DC in March, where she reached the semi-finals. She had just turned 15.
“I love travelling,” she says. “Going to visit all of these cities is great.”
Isabella plays a Jean-Baptiste Vuillaume violin 1850 with a Apocyphe de Joseph Guarnerius Cremonae 1737 label and a bow from Nicolas Maline, lent by the company Canimex Inc. of Drummondville, Québec, Canada.
She has been playing violin since the age of 2 and played her first concert at 3. “We are all musicians in the family,” she says. “My grandmother started me.”
Isabella has been a student in the Conservatory’s Academy for Gifted Youth for four years, travelling to Calgary from Montreal for lessons once a month for the first three years.
“It’s definitely worth it,” she says. “The teachers here are absolutely amazing. It’s a great program. You get to perform for guest artists from all over the world and take private lessons and master classes. There’s so much more experience on the stage. I have a few teachers that I’d really love to study with in the future.”
Isabella starts high school in the fall and plans to finish in two years so she can continue her undergraduate music studies in the US followed by her master’s in Europe.
From ages 8-12 Isabella had a burgeoning singing career, appearing on a Montreal television program hosted by Quebec pop/jazz artist Gregory Charles. He became her manager and they produced a pop album together. “I love all genres of music, really,” she says. “I want to get more into jazz. A lot of people think you have to do one or the other, pop or classical. I’m interested in everything and I like to show people that you don’t need to do just one thing to be great at it. You can do as many things as you’d like to.”
Along with her classical studies, Isabella plans to pursue her singing and songwriting interests with MRU’s new Songwriting course, part of the Conservatory’s new Popular Music offerings.
Isabella has recorded a CD and will do a concert tour starting in August.
Listen to Isabella Perron on SoundCloud.